Friday, April 24, 2015
From my position on my back in the corner of the classroom, I took in Lawton Hall’s presentation with a sense of appreciation. He is one of the few people I have met to have not only stayed in Wisconsin post Lawrence, but to also advocate staying here. I think he understands that this to do exciting and creative things here, one needs to take initiative; take the first step in creating what you want to see instead of waiting for chance to fly your way, like it might in a more populous area. I enjoyed this particularly because Wisconsin – Appleton especially – is an easy target for bashing amongst Lawrence kids. It seems like a universal conversation starter amongst the student body; whether it be a go-to if the conversation takes a turn for the dull, or a scapegoat if the clusterfuck of anxieties in ones life manifests itself as an aversion to Appleton. Either way, Appleton - and its offerings - are stepped on casually, liberally and happily.
Beyond that, it gave me hope to see such a young alumni having the success he is so soon out of Lawrence. I though it was quite funny when I realized that many of his friends (those in ‘Holy Sheboygan’), were in fact my friends as well (Julia, Cameron and Cary). It made me start thinking of the projects I could do with the talent close to my life; with the friends around me now.
Monday, April 13, 2015
After several plans falling through and many shifts
in topic, I decided to finally settle on representing the ritualistic act of
walking to my mother’s house from my dormitory at Lawrence. As a 'townie', the
divide between my hometown and my college experience has always been a thin
one. I see there being advantages and disadvantages in this – namely showering
in a place that doesn’t make me feel like I need flip-flops (and seeing my
mother, of course).
The route that I take back to my
home has been one that I've taken since attending Edison Elementary. It is
ingrained in my memory and has become representative of the transition back to
the familiarity of my childhood home. Feelings of warmth and nostalgia become
stronger with every step I take. The walk itself is often times a blur. I have
taken that exact route so many times that no trip stands out in particular.
Especially today, the trip home delves my mind deep into a meditative
state – as corny as it sounds – as I subconsciously prepare for the shifting
of worlds, from the social world of college to the domestic world of my
childhood home. I count my steps, notice minuscule changes in the scenery around
me and enjoy the change in the seasons as they come. The walk goes from a task
that needs to be dealt with, to a welcome respite from the menial chores of the
day. In this sense, the walk from ‘home to home’ transcends the mundane, instead
acting as a necessary, medicinal aspect of my day-to-day existence.
https://www.youtube.com/watch?v=1Yve9mZyknM
Sunday, April 5, 2015
Project no. 1 thoughts:
I recently put some time into thinking about the raw, honest wonder of children reacting to the world around them. In the process of growing up, there is no incentive to hold onto this simple fascination as societal pressures, worldly things and the passing of time begin to numb us into a sense of unquestioned monotony. I hope to capture this fleeting feeling using video of interaction of a friend of mine and his young daughter, whose curiosity about the world continually reminds me to appreciate small things.
I recently put some time into thinking about the raw, honest wonder of children reacting to the world around them. In the process of growing up, there is no incentive to hold onto this simple fascination as societal pressures, worldly things and the passing of time begin to numb us into a sense of unquestioned monotony. I hope to capture this fleeting feeling using video of interaction of a friend of mine and his young daughter, whose curiosity about the world continually reminds me to appreciate small things.
Wednesday, April 1, 2015
silience
n. the kind of unnoticed excellence that carries on
around you every day, unremarkably—the hidden talents of friends and
coworkers, the fleeting solos of subway buskers, the slapdash eloquence
of anonymous users, the unseen portfolios of aspiring artists—which
would be renowned as masterpieces if only they’d been appraised by the
cartel of popular taste, who assume that brilliance is a rare and
precious quality, accidentally overlooking buried jewels that may not be
flawless but are still somehow perfect.
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